Point 1: IN
Now,
remember, in this kiss, we saw movements. We saw rhythm. We saw
engulfing. The movement 'in' is referred to as when anything is inserted
into another thing, whether it is alive or non-alive. This of course
can refer to anything from the human parts to the environmental areas
such as sticking a nail into a wall, punching a hole through a plastic
cover. All this action are going be insert into the object. Now, in the
human parts, there are many things that can be inserted in to, however,
since this is our special rice soup, we are focusing our attention to
the lips. Like I said, we are very attracted to what is happening
'in'side their mouth. Keep in mind. The tongue lives in the mouth.
Point 2: OUT
What
goes 'in' must come 'out'. For example, after you have punched a straw
'in'to a cup and then want it 'out', it must be pulled 'out'. This can
also refer to human parts. You can pull 'out' hair, you can pluck 'out'
your eyebrows, you can even pull out and then back in on some other
things. Of course. We are tending our attention to the kiss. Now, the
tongue that lives in the mouth will be going 'in' to the other person's
mouth, hence exploring. Now, the tongue will pull 'out' and then back
'in'. It is a movement. It is a pattern. It is natural. It moves in and
out while the other person's own tongue will perform the 'in' and 'out'
favor. So, what my student @mattie2012
was not able to tell because of her nondisclosure statement is that
there were foul play going on inside Daejang and Imja's lips, their
tongues playing with one another, going in and out of each other.
Point 3 & 4: Up and Down
While
it is the tongue that is playing inside, we have the lips that is
showing us what is happening on the outside. Up and down is a combined
movement during this rice soup, for it is what is giving both Imja and
Daejang's lips the strength to move as it suckles on one another. It can
either be a slow up and down where the pleasures are savored and felt
in a slow and sexy way, or it can be fast and furious, where the effects
are deepened and then the suckling occurs much harder. Remember, we are
just discussing the kiss here. The lips are enveloped on top of one
another, bottom meets bottom, top greets top, and together, they grind
and bump up and down as the inside is going 'in' and 'out'.
Point 5: And All Around: Ok. This is the point that I have not gone over yet. But of course, this won't stop me from doing so
Now, we know what 'in' and 'out' is and the purpose of 'up' and 'down'
are already, so let's look at it all together. When the tongue is going
'in' and 'out, and the lips is sucking 'up and down', there is nothing
left to do but for the saliva buds to step up and wet the tongue so that
it can go all around. Now, since the tongue is already doing its own
action, and the lips is still pouncing on its own pleasures, the saliva
gathered from the slick tongue will have the time to twirl and swirl and
rub the wetness all around, ensuring that the speed and the savor
matches the motion and the rhythm. The faster the speed, the more wet
everything inside gets. The lips will suck tighter, the tongue will
penetrate in deeper, the saliva coming out even more than usual. The
wetness seeps onto the outside, and this is spread all around, inside
out
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